Description
Easily connect the Apollo Twin X DUO Gen 2 to professional studio gear with 2 analog line-level I/O, two monitor outs, and a 1/4″ Hi-Z instrument input. Add up to eight extra input channels via one optical ADAT input (or two S/PDIF channels) for connection to professional, digital outboard hardware. You can mix with confidence in any room using headphones with Sonarworks Apollo Monitor Correction. Hear all the low-end detail in your mixes using Bass Management to add a subwoofer to your monitor setup. Quickly set up low-latency cues, plug-in scenes with the UAD Console app.
From Manufacturer



- New look and feel, updated industrial design with new knobs and switch caps
- Improved Elite-Class Gen 2 D/A converters
- Improved monitor and headphone outputs for best-in-class critical listening
- Even lower THD% and increased DNR
- Assistive Auto-Gain, supporting one-click configuration across all input channels with select Unison preamps, for effortless recording
- Built-in room and headphone correction enabling Sonarworks SoundID profiles to run on built-in DSP
- Bass Management for subwoofers in both stereo and surround configurations
- New UAD Console brings Auto-Gain, Unison, Apollo Room Correction, DSP Pairing, Dante Support, Multichannel Immersive Audio Monitoring, Bass Management, Plug-In Scenes over MIDI, and more—together under one roof
- New Essentials+ software bundle with UAD plug-ins and Instruments

- With Unison technology, Apollo Twin X DUO lets you track in real time with the sound of classic EQ and compressors.
- With plug-ins from Neve, API, Manley, Fender, and more, you get the same rich analog textures used on the greatest recordings of our time.

- Apollo Twin X DUO Gen 2 features UA’s highest-resolution A/D and D/A converters, delivering 129 dB of dynamic range.
- Paired with Apollo Monitor Correction powered by Sonarworks. So, you’ll not only hear the most pristine representation of your recordings, there will be no surprises when you listen to your final mix or master on any stereo or surround system.

- Track through UAD plug-ins in real time and without latency.
- Along with included LA-2A compressors, Pultec EQs, and amps from Marshall and Ampeg, you can tap into the entire library of over 200 UAD plug-ins to unlock proven hitmaking sounds.
- Set input gain across multiple channels in seconds without fear of clipping using the new Auto-Gain feature—available on all microphone / line / Hi-Z preamp inputs.
- Effortlessly set gain for recording during an auto-training time listening window, without having to worry or take a lot of time to find the perfect recording level.
- Add a subwoofer with the new bass management feature for full-range stereo monitoring.
- Speaker utility panel provides trim, mute, and solo per speaker output.

- Apollo Twin X DUO’s powerful digital mixing engine lets you control plug-in routing and monitoring.
- With the latest features like Bass Management and Plug-In Scenes, it’s easy to find a flow that fits your needs.

- Combine Apollo Twin X’s DUO Core DSP with native processing from your computer to produce large sessions with complex plug-in chains.
- Experience a powerhouse hybrid workflow that outpaces any native-only recording setup.

- Build your studio by linking up to four Thunderbolt Apollo interfaces with up to 128 channels of premium I/O to your DAW.
- Control it all from your desktop using Apollo Twin X.
- 10×6 Thunderbolt audio interface with DUO Core DSP real-time plug-in processing
- Includes up to 30+ UAD plug-ins with Essentials+ Edition
- Two Unison mic preamps, Hi-Z instrument input, optical Toslink input (ADAT or S/PDIF)
- Two 1/4″ monitor outs, two 1/4″ line outs (ALT), one 1/4″ TRS headphone out
- Elite-class Apollo X Gen 2 converters with 24-bit / 192 kHz resolution
- Enhanced D/A for critical monitoring and playback with 129 dB dynamic range
- Two SHARC processors
- Calibrate your main monitor and headphone outputs with Apollo Monitor Correction powered by Sonarworks
- Updated UAD Console app featuring Auto-Gain, Plug-In Scenes, subwoofer integration with Bass Management, immersive audio support, and more
- Full-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
- Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
- Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more
- Expandable with Thunderbolt Apollo interfaces or select models over Dante
- Free industry-leading technical support from knowledgeable audio engineers
- Century Tube Channel Strip
- CS-1 Channel Strip
- Helios Type 69 Preamp and EQ
- Precision Channel Strip
- UA 610-A Preamp and EQ
- UA 610-B Preamp and EQ
- Fairchild 670 Legacy
- Teletronix LA-2A Classic Leveler
- Teletronix LA-2A Gray Classic Leveler
- Teletronix LA-2A Silver Classic Leveler
- Teletronix LA-2A Legacy Leveling Amplifier
- UA 1176LN Legacy
- UA 1176SE Legacy
- Helios Type 69 Legacy EQ
- Pultec EQP-1A Legacy EQ
- Pultec EQP-1A Passive EQ
- Pultec HLF-3C Passive EQ
- Pultec MEQ-5 Passive EQ
- Pultec Pro Legacy EQ
- Auto-Tune Realtime Access
- Oxide Tape Recorder
- Precision Enhancer Hz
- Verve Analog Machines Essentials
- Precision Delay Mod L
- Galaxy Tape Echo
- Precision Delay Mod
- Precision Delay Mod L
- Precision Reflection Engine
- Pure Plate Reverb
- RealVerb Pro Custom Room Modeler
- Ampeg SVT-VR Classic Bass Amplifier
- Marshall Plexi Classic Amplifier
- Raw Distortion
- PolyMAX Polyphonic Synth
The C-80 from Sony is a condenser microphone designed to deliver professional-quality vocal recordings with a powerful and rich midrange along with a hint of added presence to cut through the mix. The mic’s dual-capsule design helps to reduce proximity effect and provide a consistent-sounding response, even if the vocalist moves slightly closer or further away from the mic during a take.
Great care has been taken to ensure that the mic provides sonic character and little else. The two-part metallic construction is based on the highly regarded C-800G and C-100 models and prevents acoustic vibrations, helping to keep inherent noise and unwanted sonic artifacts out of your recordings.
The large-diaphragm condenser element yields a true frequency response of 20 Hz to 20 kHz, with a dynamic range of more than 125.5 dB. The C-80 plays quite nicely, even with loud singers, as the capsule offers a -10 dB pad and can handle SPLs up to 138 dB. A high-pass filter is also on board to help reduce low-end rumbles and other unwanted low-end frequencies, while a suspension shockmount is included to isolate the mic from vibrations and handling noise. A carrying case is also supplied for storage and transport.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (20′) is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that’s wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
With 80-ohm impedance, this configuration sits in a balanced place between being able to power demanding 250-ohm and consumer-grade 32-ohm headphones, providing a versatile design that will excel on high-end audio sources while being easily driven by smart devices. The wide frequency range of 5 Hz to 35 kHz reproduces nuance and detail within audio signals, and the DT 770 PRO sports an optimized impulse response for clear transients and accuracy. The ergonomics are refined for long-lasting durability and comfort, thanks to soft and replaceable velour earpads and a padded headband with a sturdy spring steel hoop. The DT 770 PRO includes a 1/4″ TRS plug adapter.


- Super sound quality, especially when paired with a dedicated headphone amp
- A wider soundstage with more precise imaging
- High scalability, with the ability to improve sound quality when a better audio source or amp is used


- Breathable velour: The soft velour earpads offer breathability, for a high level of comfort and long-lasting durability.
- Flexible temple construction: The robust spring steel hoop gives the headphones a secure fit.
- Lightweight construction: At a mere 13.2 oz including the cable, the headphones are surprisingly light and yet sturdy, so nothing stands in the way of long studio sessions.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5″ boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
The Focal Alpha 50 Evo Monitor is all about one thing: giving any engineer access to a stellar sound at a relatively wallet-friendly price point. With its bass-reflex rounded cabinet, versatile filtering, clean class-D amplification, and its bevy of connection points, this monitor can suit a wide variety of mixing rooms, giving mixing and post-production engineers a sound they can rely upon.
Between its frequency range of 45 Hz to 22 kHz, the monitor is neutral and accurate. You can drive it with unbalanced or balanced audio and adjust the sensitivity to match. Mount it against the wall or on the wall itself for multichannel immersive audio formats. An IEC power cable is included, as is a protective grille for the woofer.
The 5′ Balanced 1/4″ TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that’s perfect for touring and live sound applications where a device with a balanced 1/4″ phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5′ long and has a 1/4″ TRS phone connector at one end and a 3-pin XLR male connector at the other.
The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor’s vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.
The 1.6′ Thunderbolt 5 Cable from Xcellon is a high-performance, passive Intel Thunderbolt-certified cable that supports up to 80 Gb/s transfer speeds, or up to 120 Gb/s with bandwidth boost, and 240W power delivery. It provides an easy USB-C connector solution for high-speed storage drives, multiple 8K, 6K, and 4K displays at up to 120 Hz, docks, and more. You’ll enhance your workflow and step up your productivity by daisy chaining up to six compatible devices. The Xcellon Thunderbolt 5 cable is backward compatible with Thunderbolt 4, Thunderbolt 3, USB4, and previous USB speeds. Also supported is DisplayPort 2.1.




























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